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LU-ATS

ATS
Academic Technology Support
Serving the Lincoln University community by supporting the effective use of technology in instruction
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THE CAMPUS GUIDE TO COPYRIGHT COMPLIANCE for Academic Institutions from the Copyright Clearance Center. This is the definitive source of information about the complexities of copyrights in an electronic world. At the Copyright Clearance Center, Inc. you can get permission to reproduce copyrighted content such as articles and book chapters in your journals, photocopies, coursepacks, library reserves, Web sites, e-mail.

Guide to Copyright and Fair Use. The Legal Department of the Board of Regents of the State of Georgia has published a guidebook for understanding copyright and fair use. The guide provides examples of Fair Use and the legal background of copyright law. Permission to copy these guidelines for non-commercial educational use is freely granted.

Copyright Crash Course from the University of Texas Office of Genereal Counsel. This is a recopmmeded start if you are interested in producing media

Classroom Copyright Chart: Copyright and Fair Use Guidelines for Teachers, compiled by the California Student Media and Multimedia Festival. These guidelines were "not intended to limit the types of copying permitted under the standards of fair use under judicial decision and which are stated in Section 107 of the Copyright Revision Bill. There may be instances in which copying which does not fall within the guidelines stated [above] may nonetheless be permitted under the criterion of fair use."


TEACH Act of 2001
(Technology, Education, Copyright and Harmonization Act of 2001)
The TEACH Act says it is not copyright infringement for teachers and students at an accredited, nonprofit educational institution to transmit performances and displays of copyrighted works as part of a course if certain conditions are met. If these conditions are not or cannot be met, use of the material will have to qualify as a fair use or permission from the copyright holder(s) must be obtained. (NC State University, http://www.lib.ncsu.edu/scc/legislative/teachkit/overview.html)

A comprehensive TEACH Toolkit, an online resource for for understanding copyright and idistance education, has been compiled by North Carolina State University and explains and unravels much of the TEACH for instructors.

The TEACH Act, sponsored by Senators Leahy and Hatch, is intended to ease copyright restrictions on Internet content for educational purposes. Senator Leahy said S.487 "will help clarify the law and allow educators to use the same rich material in distance learning over the Internet that they are able to use in face-to-face classroom instruction." There was some resistance to the bill from copyright holders who claimed the bill was redundant with current copyright laws that support "legitimate distance-learning activities." But Leahy said the 1999 Senate Internet-based education commission report demonstrated there is a need for legislation that is more appropriate to the virtual classroom with multimedia and digital transmissions. Senator Hatch added, "Moreover, of utmost significance to the copyright owners, the legislation adds new safeguards to counteract the risks posed by digital transmissions in an educational setting. (The) bill imposes obligations to implement technological protection measures as well as certain limitations relating to accessibility and duration of transient copies."
[SOURCE: Newsbytes, AUTHOR: Robert MacMillan]

Nothing in the TEACH Act is intended to limit or otherwise to alter the scope of the fair use doctrine.


Multimedia Fair Use Guidelines
Click here to see the guidelines.

Faculty and students producing multimedia were severely constrained by the copyright laws that were written before it was so easy to perfectly reproduce images, sounds and movies. Now there are guidelines for educators that describe what can legally be used, without seeking permission, in educational productions.

The guidelines were read into the United States Congressional record after months of intense effort, spearheaded by the Consortium of College and University Media Centers. Producers, distributors, filmakers, licensing agencies, production companies and educators all worked together to create these mutally acceptable guidelines.

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